Kurt Cobain was a man full of contradictions that were so blatantly reflected on Nirvanaâs music manners that one cannot but notice how confused âIn Uteroâ sounds. Nirvanaâs third and final album was released in 1993, a bit before Cobain decided to leave a suicidal note screaming out âI haven’t felt the excitement of listening to as well as creating music, along with really writing ⦠for too many years nowâ. âIn Uteroâ is a requiem cried out by a man scared of the happiness he has fallen into. When great bands make it into the mainstream, they often face the dilemma of their next move. Some continue on the mainstream sounds of their last record, while others return to their roots because this is what they know to do best. Unable to face life and living in a fragile façade of self-denial, Cobain was freaked out feeling that âIn Uteroâ could not follow the huge success of âNevermindâ that is Nirvanaâs highest selling record and one of the most significant albums of the 90s. To overcome the stress, Cobain employed renowned punk producer Steve Albini to return to their original sounds. The influence of Albini on the album is huge. Unlike âNevermindâ that sounds sharp, polished and clean, âIn Uteroâ is rather rough, raw and noisy, approaching more a dark, disturbing, confusing feeling. Cobainâs harsh vocals with his distinctive agonized howls that almost cry out for help are the main source of emotion in the album. âI miss the comfort in being sadâ Cobain sings in âFrances Farmer Will Have Her Revenge On Seattleâ and this sounds so emotionally true from a man right on the edge a few months before his unfortunate suicide. Alongside, the albumâs distorted guitar riffs, powerful drumming, great songwriting and overall aggressive sounds create an amalgam of noise, emotion and power. Cobainâs songwriting is arguably the best in âIn Uteroâ. He is considered the best songwriter of his generation and this comes as no surprise considering some of the great lyrics of the album. There are times that one cannot choose the best moment among the raw emotionality of âScentless Apprenticeâ – Like most babies smell like butter, his smell smelled like no other, he was born scentless and senselessâ, the melting energy of âHeart Shaped Boxâ – âI’ve got a new complaint, forever in debt to your priceless adviceâ â the guilty feeling of âAll Apologiesâ â âI wish I was like you, easily amused, find my nest of salt, everything is my faultâ or the inner confession of âDumbâ that is, in effect, Cobainâs struggle to come to terms with a settled life – âI think I’m dumb or maybe just happyâ. With these true diamonds along with âRape Meâ, a raw punk rock sound-like track and âMilk Itâ that represents the aggressive and more experimental sounds that Nirvana explore in the album, âIn Uteroâ went 5x Platinum, sold four million copies in the US and gathered critical praise. Would âIn Uteroâ be so successful had Cobain not committed suicide? I donât think there is an answer to this one. For a musical perspective, the album is not perfect and if one was to acclaim a Nirvanaâs album as classic, this will arguably be âNevermindâ. However, the emotion of âIn Uteroâ that is expressed so aggressively and roughly, so desperately and unceasingly cannot be ignored. To my view, no matter on which side one stands, âIn Uteroâ is one of the best albums of the 90s and Cobainâs suicide just adds up to itâs legend.
Album reviews: In utero, by Nirvana
February 9th, 2010
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